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Albums, jazz, voice, festivals, listening culture and the ideas behind how music is made and remembered.

19 pieces

The Flutes of Gramsh in Hollywood’s “New Ulysses”: A Meditation on the Pastoral Voice, Cinema and Our Aural Memory. By Eda Zari

16 Jul 2026 · 8 min read

Gramsh Flutes in Hollywood

From the dark of Tirana’s old Kinema Republika and the memory of Bekim Fehmiu to Christopher Nolan’s monumental 70mm cinema: a meditation on how an ancient pastoral timbre can cross from Gramsh into a global screen and awaken cultural memory.

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Gramsh Flutes in Hollywood

Global Music & Albanian Reality

Skanderbeg Square: The Memory of 1990s Music Videos and the Paradox of Empty Seats

Artist or Robot? The Debate over Authenticity at the 68th Eurovision Song Contest.

The Charm of Vinyl and the Narrative of Music-Listening Culture.

Blame It on Bossa Nova: A Quiet Voice for a Noisy World.

The New Album “Palimpsest” — Poradeci | Heine

The Sun Rises Again with Hemingway Jazz Fest — 8th Edition

“Qan lulja për lulen” — The Beauty of Polyrhythm. Eda Zari

CAPRICCIO — PORADECI, HEINE AND SOUND.

Women in Music — A Guilty Pleasure?

Ennio Morricone — By Death He Trampled Death…

"Vocalise" — When We Speak Without Words. Eda Zari

Our Musical Memory and Umberto Eco — Eda Zari

The Drinking Song of Earth’s Sorrow — Gustav Mahler.

International Jazz Day at Home!

ARS LONGA: BEAT-HOVEN Meets Jazz —

Jazz in the Liturgy — Soli Deo Gloria à la John Coltrane.

Entropy — Where Byzantium Meets Jazz